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Richard Gregory, artist

Contemporary painting, drawing, photographs, prints, digital documents.

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Land Installation

These works are direct responses to place, time and materials. I develop the idea for each land installation on-site in dialogue with the material that nature has put there. I work with the lightest of touches, making marks that add nothing and take nothing away in material terms. When I feel my job is done, it’s not necessarily the end of the work. Time plays its part. I abandon the construction where it is, leaving it and its environment to create a unique history.

Documentary photographs are now the only visual record of the installations. In this role, they become artworks in their own right.


Chesil Bank

Plinth 2022

Plinth
2022
Land installation
Chesil Bank, Portland, Dorset
Indigenous found materials
175 x 96 cm

Field of View, 2022, Chesil Bank. Site-specific land installation, indigenous materials
Wedge: Field of View 2022

Wedge
2022
Land installation
Chesil Bank, Portland, Dorset
Indigenous found materials
336 x 105 cm

Richard Gregory, Chesil Beach, 2022
Richard Gregory on-site with Wedge: Field of View at Chesil Beach, Dorset, July 2022

Sway, New Forest

Forest Driftwood, Setthorns, 2022, Sway. Site-specific land installation, indigenous materials
Forest Driftwood, Setthorns 2022

Forest Driftwood (Setthorns)
2022
Land installation
Sway, New Forest, Hampshire
Indigenous found materials
22 x 155 x 382 cm

Forest Driftwood (Setthorns) is a now-disintegrated landwork on the New Forest heathland above the village of Sway, Hampshire. Images captured over thirteen months record that disintegration along with breaks in weather and the fluctuations in surrounding foliage.
Forest Driftwood (Setthorns) Unfinished Disintegration – A History in 17 Instances 2022-23

Forest Driftwood (Setthorns) Unfinished Disintegration – A History in 17 Instances
2022-23
Land installation, Sway, Hampshire
Documentary photographs in chronological order 
C-Type print
76.2 x 107.4 cm


Bringing the work inside

This is a same-size edition of Forest Driftwood (Setthorns), borrowing the same site-of-origin materials gathered from around the initial work. Away from the land, the sensory experience changes. In the studio, the dry, fermented aroma of dead gorsewood fills the space. The site-specific soundscape I Think of the Forest I accompanies it. This was recorded on a sequence of walks that brought me to the abundant material.

Installation – Forest Driftwood, Setthorns (Avatar) 2022
In the background: Photograph – Forest Driftwood (Setthorns); Soundscape – I Think of the Forest I, 2022

Forest Driftwood, Setthorns (Avatar)
2022
Floor installation, Arts University Bournemouth
Studio replica of a land installation 
Found, borrowed gorsewood
23 x 155 x 382 cm

I Think of the Forest I
2022
Audio
Composition from digital field and studio recordings
00:10:27

Forest Driftwood, Setthorns, 2022, Sway. Site-specific land installation, indigenous materials
Forest Driftwood, Setthorns 2022

Forest Driftwood (Setthorns)
2022
Sway, New Forest, Hampshire
C-Type black and white photograph
121 x 85.5 cm


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